Post-war British Fiction as 'Metaphysical Ethography': 'Gods, Godgames and Goodness' in John Fowles's The Magus and Iris Murdoch's The Sea, the Sea
Roula Ikonomakis
Post-war British Fiction as ‘Metaphysical Ethography’: ‘Gods, Godgames and Goodness’ in John Fowles’s The Magus and Iris Murdoch’s The Sea, the Sea
Roula Ikonomakis
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Second World War marked an ethical turn in British fiction. The author of this study demonstrates this by closely examining John Fowles’s and Iris Murdoch’s works as post-war meta-textual magical-realist novels interested in ethics and the nature of contemporary reality. These ethical novels transcend mere morality to explore the essence of the Good. Through paradigms of human experience, they direct our attention towards the Other and impart moral principles based on acts of Goodness.
The author assesses the moral intimations in Fowles’s The Magus and Murdoch’s The Sea, the Sea in the context of their philosophical writings, mainly The Aristos and Metaphysics as a Guide to Morals respectively. She shows that Fowles and Murdoch endeavour to instruct the reader morally through the accessible language of fiction.
This item is not currently in-stock. It can be ordered online and is expected to ship in 7-14 days
Our stock data is updated periodically, and availability may change throughout the day for in-demand items. Please call the relevant shop for the most current stock information. Prices are subject to change without notice.
Sign in or become a Readings Member to add this title to a wishlist.