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Add to list Added to list Post-war British Fiction as ‘Metaphysical Ethography’: ‘Gods, Godgames and Goodness’ in John Fowles’s The Magus and Iris Murdoch’s The Sea, the Sea
Roula Ikonomakis
The Second World War marked an ethical turn in British fiction. The author of this study demonstrates this by closely examining John Fowles’s and Iris Murdoch’s works as post-war meta-textual…
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