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An artist, a cop, a cowboy, several fly fishermen and even a reluctant romance novelist inhabit these revealing and often hilarious stories. An old man ends up in a high-speed chase with the cops after stealing the car that blocks the garbage bin at his apartment building. A stranger gets a job at a sandwich shop and fixes everything in sight: a manual mustard dispenser, a mouthful of crooked teeth, thirty-two parking tickets and a sexual identity problem.
Everett skewers race, class, identity, surrealism and much more in this masterful short story collection from a genius of American letters.
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An artist, a cop, a cowboy, several fly fishermen and even a reluctant romance novelist inhabit these revealing and often hilarious stories. An old man ends up in a high-speed chase with the cops after stealing the car that blocks the garbage bin at his apartment building. A stranger gets a job at a sandwich shop and fixes everything in sight: a manual mustard dispenser, a mouthful of crooked teeth, thirty-two parking tickets and a sexual identity problem.
Everett skewers race, class, identity, surrealism and much more in this masterful short story collection from a genius of American letters.
Dip into incredible and inspiring new worlds with our favourite short story collections and anthologies.
The Picador Collection is a series designed to showcase the best of modern literature.
Percival Everett is the author of over thirty published works, including Zulus, Erasure, I Am Not Sidney Poitier, Assumption, Percival Everett by Virgil Russell, Telephone, The Trees, Dr. No and James. A Guggenheim Fellow and Pulitzer Prize Finalist, Everett has won the PEN Oakland/Josephine Miles Literary Award, the Academy Award in Literature, the Bollinger Everyman Wodehouse Prize for Comic Fiction, and the Windham-Campbell Literature Prize for Fiction. In 2022, The Trees was shortlisted for the Booker Prize. Percival Everett lives in Los Angeles, CA, where he is Distinguished Professor of English at the University of Southern California.