James
Percival Everett
James
Percival Everett
Winner of the 2024 National Book Award for Fiction
Shortlisted for the Booker Prize 2024
James is an enthralling and ferociously funny novel that leaves an indelible mark, forcing us to see Mark Twain's The Adventures of Huckleberry Finn in a wholly new and transformative light.
The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson's Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town.
Thus begins a dangerous and transcendent journey by raft along the Mississippi River, toward the elusive promise of free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.
With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . .
From the shadows of Huck Finn's mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.
Review
Pierre Sutcliffe
James by Percival Everett is narrated by Jim, the escaped enslaved man who accompanies Huck Finn when the two flee down the Mississippi River in The Adventures of Huckleberry Finn. At the opening of James, Jim has overheard his owner telling someone that they are planning to sell Jim and separate him from his wife and children. He flees to a nearby island to avoid this fate and come up with a plan to somehow rescue his wife and daughter. While on the river, James narrates his version of the events with which we are familiar from Mark Twain’s seminal text.
A significant difference between the two tales is that James writes in what would be considered by white, educated people of his time to be ‘perfect’ English and he speaks in the same style when he is with other enslaved people. Yet when speaking with or in front of white people, he and others who are enslaved adopt the dialect to avoid attracting attention. James has secretly taught himself to read and write; he has internal conversations with philosophers such as John Locke and Voltaire. James is also the recipient of a precious, stolen pencil, and as he states, ‘With this pencil I write myself into being.’
This book encapsulates the feeling we have as readers: that we have discovered a secret power, and we are both empowered and defined by what we read and write. This book somehow avoids all smugness, while bestowing upon the reader a feeling of being blessed, somehow, to encounter a work this special. Everett has written over 30 books, including Erasure, which is the basis of the tremendous film American Fiction, and The Trees, a blistering satire of Southern literature which could almost be a collaboration between Flannery O’Connor and John Kennedy Toole. Normally, I would be daunted by the task of attempting to review a book by an intellect this towering, but in this case, I feel most of us are underqualified. I finished this last night, but I feel that this haunting novel will linger in my memory for a long time. It’s definitely an early contender for book of the year.
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