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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Situated between a red brick church and a luxury condo building was The Mansion, an old Edwardian house in San Francisco's Japantown. It looked quite the desolate wreck on the outside, but inside, it was home to a young Black man newly arrived from Atlanta-and 29 houseless others. Oakland performance poet Dee Allen returns with his 10th volume of poetry, The Mansion, named in honour of his first real home in the Bay Area. The Mansion covers Allen's first 5 years surviving homelessness in San Francisco by squatting numerous buildings, whether long-abandoned or new ones under construction. In a city where alarmingly high rents, gentrification and displacements are the norm, and squatting is seen as a viable means to live for the less fortunate [and resourceful].
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Situated between a red brick church and a luxury condo building was The Mansion, an old Edwardian house in San Francisco's Japantown. It looked quite the desolate wreck on the outside, but inside, it was home to a young Black man newly arrived from Atlanta-and 29 houseless others. Oakland performance poet Dee Allen returns with his 10th volume of poetry, The Mansion, named in honour of his first real home in the Bay Area. The Mansion covers Allen's first 5 years surviving homelessness in San Francisco by squatting numerous buildings, whether long-abandoned or new ones under construction. In a city where alarmingly high rents, gentrification and displacements are the norm, and squatting is seen as a viable means to live for the less fortunate [and resourceful].