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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
122 Days records a silent conversation in art and sentences that took place over 122 days in the summer of 2019 between Arizona artist Angela Rose and Massachusetts poet Mary Kane. After an initial exchange on a whim, Ms. Kane writes, "we decided to keep going for a week, with only a few basic rules. First, there could be no judgments, no 'I love it' or 'like it, no commentary whatsoever. In fact, other than exchanging sentences and drawings, we didn't communicate with each other. Second, the practice would occur daily, one drawing, one sentence. Either of us could work on our piece for as long as we wished on that day, but, finished or not, satisfied or not, at some point we had to press send."
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
122 Days records a silent conversation in art and sentences that took place over 122 days in the summer of 2019 between Arizona artist Angela Rose and Massachusetts poet Mary Kane. After an initial exchange on a whim, Ms. Kane writes, "we decided to keep going for a week, with only a few basic rules. First, there could be no judgments, no 'I love it' or 'like it, no commentary whatsoever. In fact, other than exchanging sentences and drawings, we didn't communicate with each other. Second, the practice would occur daily, one drawing, one sentence. Either of us could work on our piece for as long as we wished on that day, but, finished or not, satisfied or not, at some point we had to press send."