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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In The Bones in the Garden (and other things found there), Elizabeth Michaud acts as our collective story keeper. She guides us through the scars left by American slavery, the caves and crevices of fantastical creatures, and the simple rooms where love can liberate us. This is a varied offering interweaving passion, pain, and folklore, like cream dissolving into coffee.
In this second collection of poetry, Michaud continues her narrative journey in verse. She grounds her work in truth and verve, drawing upon the hard facts of world history and the tender details of her own archive. When Michaud writes, "Tell no one of the bones / buried deep within the garden," it is because she will be the one to tell. Watch her lay bare the horrific yet beautiful bones of her ancestors, of our world, of us all.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In The Bones in the Garden (and other things found there), Elizabeth Michaud acts as our collective story keeper. She guides us through the scars left by American slavery, the caves and crevices of fantastical creatures, and the simple rooms where love can liberate us. This is a varied offering interweaving passion, pain, and folklore, like cream dissolving into coffee.
In this second collection of poetry, Michaud continues her narrative journey in verse. She grounds her work in truth and verve, drawing upon the hard facts of world history and the tender details of her own archive. When Michaud writes, "Tell no one of the bones / buried deep within the garden," it is because she will be the one to tell. Watch her lay bare the horrific yet beautiful bones of her ancestors, of our world, of us all.