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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book is the first nearly complete (poetry and verse omitted) translation of the only known personal manuscript notes of a Sixteenth Century Commedia dell'Arte performer. This is a very important work for anyone interested in what such actors said and did in their improvised performances. Included with the literal translation are the detailed play outlines from the twenty plays in these manuscripts. In the original the outlines are terse and ambiguous, making them difficult to perform, but this book provides versions of each of them that have been resolved into clear entrances, exits, motivations and actions for every scene. Scholars get their literal translations. Performers get playable plays, as well as examples of prologues, monologues and one-liners that this Sixteenth Century actor thought were worthy to write down.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book is the first nearly complete (poetry and verse omitted) translation of the only known personal manuscript notes of a Sixteenth Century Commedia dell'Arte performer. This is a very important work for anyone interested in what such actors said and did in their improvised performances. Included with the literal translation are the detailed play outlines from the twenty plays in these manuscripts. In the original the outlines are terse and ambiguous, making them difficult to perform, but this book provides versions of each of them that have been resolved into clear entrances, exits, motivations and actions for every scene. Scholars get their literal translations. Performers get playable plays, as well as examples of prologues, monologues and one-liners that this Sixteenth Century actor thought were worthy to write down.