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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
English translation of La Tortuga Ecuestre (1939), by Peruvian surrealist poet and artist Cesar Moro (1903-1956). The first Latin American to join the ranks of the Surrealist group in Paris in the 1920's, Moro would go on to organize the first Surrealist exhibition in South America in 1935, as well as, along with Andre Breton and Wolfgang Paalen, the notorious Exposicion Internacional del Surrealismo in Mexico City, in 1940. Moro wrote the majority of his poetry in the French language, and La Tortuga Ecuestre, written in Mexico and unpublished during his lifetime, was the only collection of poems in his native language. Close in spirit to Desnos, Peret and Breton, these 18 explosive erotic poems, inspired by his tempestuous relationship with a young cadet in the Mexican army, offer a licentious, excessive illustration of the liberating possibilities of amour fou.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
English translation of La Tortuga Ecuestre (1939), by Peruvian surrealist poet and artist Cesar Moro (1903-1956). The first Latin American to join the ranks of the Surrealist group in Paris in the 1920's, Moro would go on to organize the first Surrealist exhibition in South America in 1935, as well as, along with Andre Breton and Wolfgang Paalen, the notorious Exposicion Internacional del Surrealismo in Mexico City, in 1940. Moro wrote the majority of his poetry in the French language, and La Tortuga Ecuestre, written in Mexico and unpublished during his lifetime, was the only collection of poems in his native language. Close in spirit to Desnos, Peret and Breton, these 18 explosive erotic poems, inspired by his tempestuous relationship with a young cadet in the Mexican army, offer a licentious, excessive illustration of the liberating possibilities of amour fou.