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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book reprints the critical essays of esteemed art historian Baruch D. Kirschenbaum (1931-2024), who taught art history at the Rhode Island School of Design from 1962 to 2001, including terms as head of the Art History department and chair/dean of the Liberal Arts division. Essays cover Andres Serrano's controversial "Piss Christ"; the police raid and obscenity trial of the 1978 exhibit "Private Parts"; the purpose of art school humanities; primitivism and contemporary art; the role of art museums; a film documenting an art auction; the photographic works of Doug Prince; and Michelangelo's drawings for Cavaliere. Elizabeth G. Grossman provides contextualizing commentary for each essay, as well as for Kirschenbaum's acclaimed book on Jan Steen, plus biographical background for the author.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book reprints the critical essays of esteemed art historian Baruch D. Kirschenbaum (1931-2024), who taught art history at the Rhode Island School of Design from 1962 to 2001, including terms as head of the Art History department and chair/dean of the Liberal Arts division. Essays cover Andres Serrano's controversial "Piss Christ"; the police raid and obscenity trial of the 1978 exhibit "Private Parts"; the purpose of art school humanities; primitivism and contemporary art; the role of art museums; a film documenting an art auction; the photographic works of Doug Prince; and Michelangelo's drawings for Cavaliere. Elizabeth G. Grossman provides contextualizing commentary for each essay, as well as for Kirschenbaum's acclaimed book on Jan Steen, plus biographical background for the author.