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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. Thackeray’s original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals. Thackeray even included Dickens in this criticism for his portrayal of the good-hearted streetwalker Nancy and the charming pickpocket, the Artful Dodger, in Oliver Twist. Ainsworth’s Jack Sheppard portrayed a real-life prison breaker and thief from the eighteenth century in flattering terms. In contrast, Thackeray sought out a real-life criminal whom he could portray in as unflattering terms as possible. He settled on Catherine Hayes, another eighteenth-century criminal, who was burned at the stake for murdering her husband in 1726.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. Thackeray’s original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals. Thackeray even included Dickens in this criticism for his portrayal of the good-hearted streetwalker Nancy and the charming pickpocket, the Artful Dodger, in Oliver Twist. Ainsworth’s Jack Sheppard portrayed a real-life prison breaker and thief from the eighteenth century in flattering terms. In contrast, Thackeray sought out a real-life criminal whom he could portray in as unflattering terms as possible. He settled on Catherine Hayes, another eighteenth-century criminal, who was burned at the stake for murdering her husband in 1726.