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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Yanyun Chen draws, and is driven by the question, how far can I go with this? How far can one go with charcoal and papers, and where does this bring one, lead one, leave one? How far can one go with a line, a stroke, a shape, a light, a shadow, an area, a turn, a form, a subject, an object, a trace, a place, a space, an empty whiteness where the paper takes its stance and refuses to leave, refuses to stay. Refusal. Refusing - a story. A fiction. In the space of bound papers, images have a dialogue with text. Both are birthed by the empty spaces that shape their form; a form that becomes readable only with the presence of darkness and light. In its shadow, four authors sit together to have a silent conversation. Perhaps that is what being intimate is all about; in there, fiction goes far beyond non-fiction. After all, drawings are fictions. So are writings. Perhaps, that is what makes them real.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Yanyun Chen draws, and is driven by the question, how far can I go with this? How far can one go with charcoal and papers, and where does this bring one, lead one, leave one? How far can one go with a line, a stroke, a shape, a light, a shadow, an area, a turn, a form, a subject, an object, a trace, a place, a space, an empty whiteness where the paper takes its stance and refuses to leave, refuses to stay. Refusal. Refusing - a story. A fiction. In the space of bound papers, images have a dialogue with text. Both are birthed by the empty spaces that shape their form; a form that becomes readable only with the presence of darkness and light. In its shadow, four authors sit together to have a silent conversation. Perhaps that is what being intimate is all about; in there, fiction goes far beyond non-fiction. After all, drawings are fictions. So are writings. Perhaps, that is what makes them real.