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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
pedestrian stories (1-3) began as a singular project consisting of the generation of a short story with images produced in/as a durational performance. The project has now developed into a series come to be called, pedestrian stories. Technically, the project involves mostly writing, within constraints. The constraints of which lend itself towards the performative in that a story is to be produced, outside the confines of the artist’s domain, within twenty-four hours in which time, the immediate environment and surroundings, the internet, the artist’s image archive, and images taken in-situ may become possible players, characters and/or participants in the final production of the piece. Given the twenty-four hour time frame, as a structural apparatus, the series will seek to complete itself in twenty-four stories. For now, there are three and they are here to be read.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
pedestrian stories (1-3) began as a singular project consisting of the generation of a short story with images produced in/as a durational performance. The project has now developed into a series come to be called, pedestrian stories. Technically, the project involves mostly writing, within constraints. The constraints of which lend itself towards the performative in that a story is to be produced, outside the confines of the artist’s domain, within twenty-four hours in which time, the immediate environment and surroundings, the internet, the artist’s image archive, and images taken in-situ may become possible players, characters and/or participants in the final production of the piece. Given the twenty-four hour time frame, as a structural apparatus, the series will seek to complete itself in twenty-four stories. For now, there are three and they are here to be read.