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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Language and music are connected in many ways. As social and cultural practices, they have been intertwined in multiple ways. Musical and linguistic practices are often intertwined to express distinct and complex identities, attitudes, ideologies, social roles and political views. Spaces characterized by migration, contact, multilingualism, and colonial inequalities, are particularly interesting for the study of the intersections between language and music.
This volume is the first book-length account of contact languages and music. It offers a stimulating collection of contributions on different territories, multiple musical genres and topics, and various methodological approaches. The chapters address myriad topics such as nationality, ethnicity, identity, gender, migration and diaspora.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Language and music are connected in many ways. As social and cultural practices, they have been intertwined in multiple ways. Musical and linguistic practices are often intertwined to express distinct and complex identities, attitudes, ideologies, social roles and political views. Spaces characterized by migration, contact, multilingualism, and colonial inequalities, are particularly interesting for the study of the intersections between language and music.
This volume is the first book-length account of contact languages and music. It offers a stimulating collection of contributions on different territories, multiple musical genres and topics, and various methodological approaches. The chapters address myriad topics such as nationality, ethnicity, identity, gender, migration and diaspora.