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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This study of the development of architecture and the impact of architectural models on this evolution, draws its early examples primarily from surviving Hindu-Buddhist monuments in Cambodia and Java. Dumarcay argues that, despite the fact that individual physical locations may merit innovation, new construction nevertheless tends to be constrained by pre-existing architectural models held within collective conscience of a given culture. This tendency may be further strengthened when an insecure regime seeks to employ architectural monuments to aggrandize its political position. A break from the models of the past - and thus true innovation - may develop only when a master builder has sufficient confidence in his own artistic vision within a context that allows him to express it.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This study of the development of architecture and the impact of architectural models on this evolution, draws its early examples primarily from surviving Hindu-Buddhist monuments in Cambodia and Java. Dumarcay argues that, despite the fact that individual physical locations may merit innovation, new construction nevertheless tends to be constrained by pre-existing architectural models held within collective conscience of a given culture. This tendency may be further strengthened when an insecure regime seeks to employ architectural monuments to aggrandize its political position. A break from the models of the past - and thus true innovation - may develop only when a master builder has sufficient confidence in his own artistic vision within a context that allows him to express it.