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This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It is the first extensive study on a major and influential feminist authorship in Hong Kong cinema history. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang’s work.
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This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It is the first extensive study on a major and influential feminist authorship in Hong Kong cinema history. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang’s work.