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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘Poetry is the taste of thinking in the mouth, ’ writes translator Erin Moure in introducing New Leaves. In the face of so much migration and precarity, poet Rosalia de Castro sets herself to thinking and recognizes repetition as key to humanity; she views the social as intimate; she creates poems in dialogue so that subjectivity reverberates; she examines the notion of home and articulates the effects of migration on women, the widows. ‘Thinking, ’ continues Moure, ‘fills the absence when love and hope are missing.’ New Leaves confronts the conundrum of human existence and the injustices suffered by those left behind in the fight (flight) for (economic) survival. As such, Rosalia de Castro is our contemporary in our own times of migration. New Leaves was her second and last major work of poetry in the Galician language, after Galician Songs, and is here presented in award-winning poet Erin Moure’s memorable translation.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘Poetry is the taste of thinking in the mouth, ’ writes translator Erin Moure in introducing New Leaves. In the face of so much migration and precarity, poet Rosalia de Castro sets herself to thinking and recognizes repetition as key to humanity; she views the social as intimate; she creates poems in dialogue so that subjectivity reverberates; she examines the notion of home and articulates the effects of migration on women, the widows. ‘Thinking, ’ continues Moure, ‘fills the absence when love and hope are missing.’ New Leaves confronts the conundrum of human existence and the injustices suffered by those left behind in the fight (flight) for (economic) survival. As such, Rosalia de Castro is our contemporary in our own times of migration. New Leaves was her second and last major work of poetry in the Galician language, after Galician Songs, and is here presented in award-winning poet Erin Moure’s memorable translation.