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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
How should we understand post-war art? How were issues
of cultural transfer and curatorial strategies dealt with in the
extended 1960s - the era of pop?
Art in Transfer in the Era of Pop juxtaposes issues and contexts
approaching the concept and reception of Pop Art.
Contributors from Europe and beyond weave a web that
resists the notion of universialism, adding to art historian
Piotr Piotrowski’s horizontal art history. This volume avoids
the historiographic stance where the US–Europe relationship
appears to be a one-way affair. Instead, the reader is drawn
into the history of the circulation and cross-pollination of
ideas, the aesthetic practices and the various contexts that
influenced them.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
How should we understand post-war art? How were issues
of cultural transfer and curatorial strategies dealt with in the
extended 1960s - the era of pop?
Art in Transfer in the Era of Pop juxtaposes issues and contexts
approaching the concept and reception of Pop Art.
Contributors from Europe and beyond weave a web that
resists the notion of universialism, adding to art historian
Piotr Piotrowski’s horizontal art history. This volume avoids
the historiographic stance where the US–Europe relationship
appears to be a one-way affair. Instead, the reader is drawn
into the history of the circulation and cross-pollination of
ideas, the aesthetic practices and the various contexts that
influenced them.