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The book examines the cultural identity of the northern Black Sea
poleis. The broad chronological perspective used explains the
complex process of the creation of local identities in Greek
apoikiai, examined by a thorough analysis of the self-definition
of the citizens. As the book shows, the self-definition of Black Sea
poleis was expressed through local myths and cults, the
connection to a wider Panhellenic tradition and the relationship with
the local ‘Others’, whose imaginary view was an integral part of the
Greek ‘barbarian repertoire’ that was used creatively in Greek
literature, poetry, theatre and art. This study deconstructs out-dated
approaches that are based on the culture-history tradition, according to
which an ethnos is a stable and continuous unit that can be
described by clear ethnic markers visible in the archaeological
material, offering instead a new approach to the study of multicultural
encounters in the North Pontic region, one that pays attention to
flexibility and the situational nature of ethnic groups and their
boundaries. The picture of North Pontic society that emerges is more
complex and multi-layered than in many previous studies. The hybrid
nature of this society allowed for the creation of local collective
identities that were based on dynamic interaction, conscious strategies
and investment in mutual benefits by the members of the ‘collective’.
The book integrates a significant amount of material published by
Eastern European archaeologists, classicists and historians that is not
readily available to non-Russian speaking Western European scholarship.
A wide range of material for researching ancient societies, literary,
epigraphic, numismatic and archaeological, has been incorporated into
the study.
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The book examines the cultural identity of the northern Black Sea
poleis. The broad chronological perspective used explains the
complex process of the creation of local identities in Greek
apoikiai, examined by a thorough analysis of the self-definition
of the citizens. As the book shows, the self-definition of Black Sea
poleis was expressed through local myths and cults, the
connection to a wider Panhellenic tradition and the relationship with
the local ‘Others’, whose imaginary view was an integral part of the
Greek ‘barbarian repertoire’ that was used creatively in Greek
literature, poetry, theatre and art. This study deconstructs out-dated
approaches that are based on the culture-history tradition, according to
which an ethnos is a stable and continuous unit that can be
described by clear ethnic markers visible in the archaeological
material, offering instead a new approach to the study of multicultural
encounters in the North Pontic region, one that pays attention to
flexibility and the situational nature of ethnic groups and their
boundaries. The picture of North Pontic society that emerges is more
complex and multi-layered than in many previous studies. The hybrid
nature of this society allowed for the creation of local collective
identities that were based on dynamic interaction, conscious strategies
and investment in mutual benefits by the members of the ‘collective’.
The book integrates a significant amount of material published by
Eastern European archaeologists, classicists and historians that is not
readily available to non-Russian speaking Western European scholarship.
A wide range of material for researching ancient societies, literary,
epigraphic, numismatic and archaeological, has been incorporated into
the study.