This book presents a comprehensive discussion of three famous poems which are studied as works of art. A full description of their prosodic regularity, as well as the variations on it, is given, and goes hand in hand with a detailed structural analysis of the lower and higher textual units. Great care is taken to find the correct delimitation of cola (half-verses), verses, strophes and stanzas, and, in the case of Deut.32, of its four big sections, after which all things fall into place.