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The book studies utopian fiction as a knowledge apparatus by connecting three aspects of late Qing culture: the rise of modern press, the emergence of new genre, and the epistemology of modernity, while reflecting on the ability of utopian imagination to develop the three-way relationship between new people, new China, and new genre via the Chinese public sphere.
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The book studies utopian fiction as a knowledge apparatus by connecting three aspects of late Qing culture: the rise of modern press, the emergence of new genre, and the epistemology of modernity, while reflecting on the ability of utopian imagination to develop the three-way relationship between new people, new China, and new genre via the Chinese public sphere.