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Eerie recreations of buildings transform the streets of Serbia into an "uncanny valley" for foreigners and natives alike
Drawing on his experience in stage design, Aleksandar Denic (born 1963) transforms the Serbian Pavilion at the 60th Venice Biennale into a village of commonplace yet unfamiliar buildings and storefronts, designed to make his fellow Balkan natives feel like strangers in their own land.
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Eerie recreations of buildings transform the streets of Serbia into an "uncanny valley" for foreigners and natives alike
Drawing on his experience in stage design, Aleksandar Denic (born 1963) transforms the Serbian Pavilion at the 60th Venice Biennale into a village of commonplace yet unfamiliar buildings and storefronts, designed to make his fellow Balkan natives feel like strangers in their own land.