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In Beckman’s primary-color universe, games become a means for structuring capitalist society
Since the 1980s, American filmmaker Ericka Beckman (born 1951) has been exploring themes of gamification and media interactions in her films. This publication accompanies an exhibition of the same name that presents Beckman’s pioneering videos for the first time in Germany.
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In Beckman’s primary-color universe, games become a means for structuring capitalist society
Since the 1980s, American filmmaker Ericka Beckman (born 1951) has been exploring themes of gamification and media interactions in her films. This publication accompanies an exhibition of the same name that presents Beckman’s pioneering videos for the first time in Germany.