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Framing art biennials as a tool for offering new ways of recording and experiencing history
Accompanying the Goeteborg International Biennial for Contemporary Art, this book explores the potential of art biennials to propose forms and methods of historical narration that renegotiate the border between past and present, local and global, story and history.
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Framing art biennials as a tool for offering new ways of recording and experiencing history
Accompanying the Goeteborg International Biennial for Contemporary Art, this book explores the potential of art biennials to propose forms and methods of historical narration that renegotiate the border between past and present, local and global, story and history.