Sculptural collages originating from a strategy of emptying

Michael E. Smith (born 1977) is known for his sculptures employing materials both natural and manmade that strip everyday objects down to their most minimal state. Conceived to document three solo shows at de Appel in Amsterdam, Kunstverein Hannover and S.M.A.K. in Ghent, this publication also gathers new texts that shed light on the artist’s decade-plus practice.