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This first monograph on the Brazilian mixed-media painter Paulo Nimer Pjota (born 1988) takes stock of his modern, rough palimpsests, which are testaments to the artist’s collapsing of high with low, the personal with the marginal, often via the use of readymade objects that Nimer Pjota corrals in front of his wall pieces.
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This first monograph on the Brazilian mixed-media painter Paulo Nimer Pjota (born 1988) takes stock of his modern, rough palimpsests, which are testaments to the artist’s collapsing of high with low, the personal with the marginal, often via the use of readymade objects that Nimer Pjota corrals in front of his wall pieces.