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In Prussian Blue, Mexican artist Yishai Jusidman (1963) delves into the visual memory of the Holocaust and the limits of its representation.
Painting photographic images of Nazi concentration camps, Jusidman re-signifies them by turning them blue–the same shade that stained the walls of gas chambers.
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In Prussian Blue, Mexican artist Yishai Jusidman (1963) delves into the visual memory of the Holocaust and the limits of its representation.
Painting photographic images of Nazi concentration camps, Jusidman re-signifies them by turning them blue–the same shade that stained the walls of gas chambers.