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Crossing Between Tradition and Modernity presents thirteen essays written in honor of Milena Dolezelova-Velingerova (1932-2012), a member of the Prague School of Sinology and an important scholar of Chinese literature who was at the forefront in introducing literary theory into sinology. Dolezelova-Velingerova was that rare scholar who wrote with equal knowledge and skill about both modern and premodern Chinese literature. The essays emulate Dolezelova-Velingerova’s scholarship in terms of treating a broad range of historical periods, literary genres, and topics-from Tang travel essays to cultural identity in postcolonial Hong Kong. Organized into two parts, Language, Structure, and Genre, and Identities and Self-Representations, the essays are motivated by an abiding concern with issues of language, narrative structure, and the complex nature of literary meaning that were at the heart of Dolezelova-Velingerova’s work.
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Crossing Between Tradition and Modernity presents thirteen essays written in honor of Milena Dolezelova-Velingerova (1932-2012), a member of the Prague School of Sinology and an important scholar of Chinese literature who was at the forefront in introducing literary theory into sinology. Dolezelova-Velingerova was that rare scholar who wrote with equal knowledge and skill about both modern and premodern Chinese literature. The essays emulate Dolezelova-Velingerova’s scholarship in terms of treating a broad range of historical periods, literary genres, and topics-from Tang travel essays to cultural identity in postcolonial Hong Kong. Organized into two parts, Language, Structure, and Genre, and Identities and Self-Representations, the essays are motivated by an abiding concern with issues of language, narrative structure, and the complex nature of literary meaning that were at the heart of Dolezelova-Velingerova’s work.