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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Becarac is a sung record of a personal tragedy, or an authentic artefact of historical events at a particular territory. Since many such verses have been written in Slavonia, the author has found it important to analyse the discourse of war. The aim of this paper is to show, by using comparative and interpretative methods of reading verses and historical facts, how local people apprehended war events, which consequences it had on their lives and the way of thinking about the horrors of the war, how this topic was present in the everyday coexistence of conflict and tolerance, and whether it is possible to give a credible account of the first World War though these verses. Is it possible to come to objective information based on these texts which were made out of pure subjectivity? The corpus consists of the songs from the first half of the twentieth century.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Becarac is a sung record of a personal tragedy, or an authentic artefact of historical events at a particular territory. Since many such verses have been written in Slavonia, the author has found it important to analyse the discourse of war. The aim of this paper is to show, by using comparative and interpretative methods of reading verses and historical facts, how local people apprehended war events, which consequences it had on their lives and the way of thinking about the horrors of the war, how this topic was present in the everyday coexistence of conflict and tolerance, and whether it is possible to give a credible account of the first World War though these verses. Is it possible to come to objective information based on these texts which were made out of pure subjectivity? The corpus consists of the songs from the first half of the twentieth century.