Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In2015, then art student, posted a photo series of her menstrual marked clothing and products on Instagram. Twice the social media network, citing a violation of their community guidelines, deleted the post. Instagram later revoked their decision as having been an accident and Kaur reposted her images with a message affirming the naturalness of menstruation and the misguided disgust and fear it
invokes in patriarchal insttiutions . Still, the public debate was underway; national media outlets, such as the Huffington Post and Newsweek, picked up Kaur's story with many people expressing anger and disgust, and others solidarity and gratitude While she was not the first, nor the last artist to use her menstrual blood as personal statement and political stance, her story and the reactions it evoked, epitomizes the existential threat that menstruation (and the women who proudly reclaim their menstruation as powerful) poses top a triarchy. In the West, female bodies, and particularly their menstrual bleeding, have long been sites of patriarchal fantasies and projections of feminine danger. Though evidence suggests that menstrual blood was revered as part of a Great Goddess tradition in Neolithic Old Europe, "the myth of menstrual danger" became and remains one such feminine danger that has been a destructive legacy leading back to the early stages of Western civilization.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In2015, then art student, posted a photo series of her menstrual marked clothing and products on Instagram. Twice the social media network, citing a violation of their community guidelines, deleted the post. Instagram later revoked their decision as having been an accident and Kaur reposted her images with a message affirming the naturalness of menstruation and the misguided disgust and fear it
invokes in patriarchal insttiutions . Still, the public debate was underway; national media outlets, such as the Huffington Post and Newsweek, picked up Kaur's story with many people expressing anger and disgust, and others solidarity and gratitude While she was not the first, nor the last artist to use her menstrual blood as personal statement and political stance, her story and the reactions it evoked, epitomizes the existential threat that menstruation (and the women who proudly reclaim their menstruation as powerful) poses top a triarchy. In the West, female bodies, and particularly their menstrual bleeding, have long been sites of patriarchal fantasies and projections of feminine danger. Though evidence suggests that menstrual blood was revered as part of a Great Goddess tradition in Neolithic Old Europe, "the myth of menstrual danger" became and remains one such feminine danger that has been a destructive legacy leading back to the early stages of Western civilization.