Here, available for the first time in an English translation, is The Wilderness by Moritake Takeichi, who is known, along with Iboshi Hokuto and Batchelor Yaeko, as one of the Three Great Ainu Poets . This seminal work should be considered must reading for anyone interested in Ainu culture and history, and Japanese literature in general. These poems provide an especially poignant insight into the intense pressures experienced by the Ainu people after Hokkaido was annexed by Japan in 1879, when assimilation became synonymous with survival. Moritake, whose Ainu name was Itakunoto was born in the fishing village of Shiraoi in southwestern Hokkaido in 1902, the eldest son of Ehechikari (father) and Otehe (mother). His father passed away when he was still an infant and he grew up in extreme poverty. He started working in the local fishery at the age of 9 to help support his family. His formal education ended in 1915 at the age of 12 when he graduated from elementary school, after which he left Shiraoi to work as a migrant laborer in the herring fisheries at Ishikari, Atsuta, Usuya (Obiracho) and Rumoi. At the age of 20, after a period of intense self-study, he took and passed the exam to become a full-time employee of the National Railway, an astonishing feat for someone with only a primary school education. He gave up this position 1935 to devote himself to the service of his Ainu brethren.

Moritake’s life spanned a period of rapid and intense change. A few decades before his birth Japan was still run by samurai warriors. Within the period of his lifetime Japan transformed itself from an isolated collection of feudal states into a modern industrial nation. Great progress was achieved, but for the Ainu in particular this progress came at great cost. As one reads this collection of poems one is struck by the uninhibited and eclectic nature of his work. The first section of the book consists of verse poems in a variety of metrical styles. Some, influenced by classical Chinese patterns, are reminiscent of western romantic poetry in their use of figures such as nymphs and naiads to convey a wistful view of traditional Ainu life in ancient times, while others paint a brutally realistic picture of the desperate challenges that faced the new generation of Ainu in his day.

Moritake, in the preface to this volume, described his work as follows:

Nowadays the Ainu people have the opportunity to receive a proper education, and their religious beliefs are gradually becoming modernized. Their sensibilities are being refined through exposure to newspapers, magazines and all the other instruments of modern civilization, and the old religious ceremonies and legends that have been passed on by word of mouth since time immemorial are being forgotten. Once the elders living today have passed from this world, many of the elements of our ancient heritage will be lost forever. As one who was born during this period of transition, on the one hand I am excited when I think of the opportunities for progress that assimilation into Japanese society will bring, but on the other I find myself overwhelmed by an indescribable sense of loss. It was nostalgia for this ancient heritage that inspired me to begin visiting the elders from time to time. I listened to them tell the old stories, and asked them about the ways of life, manners and customs of the Ainu in the old days. I made sure to participate in all of the old ceremonies so that I could experience them for myself, and in this collection of poems I have tried not only to describe these more traditional aspects of Ainu life, but I have also attempted to paint a frank and unvarnished picture of the feelings and experiences of the younger generation of Ainu, surrounded, as they are, by the excitement and distractions of modern society. (1937)

A facsimile bilingual version is available from Rose Books.