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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘Something Other Than Other’ is Philip Rowland’s most representative collection to date. Ranging from minimal, concrete and found poems to epigrammatic reflections, imagist snapshots, haiku and tanka, the book unfolds in four carefully sequenced sections, including ‘Surveillance’, a long series of short poems based on observations of people and places in Rowland’s adoptive home town of Tokyo. Throughout, this collection invites us to dwell on the multi-faceted relationships between its parts, continually opening space for the reader to listen for ‘the sound of our listening’. ‘You can’t step in the same Rowland poem twice’ - Joseph Massey
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘Something Other Than Other’ is Philip Rowland’s most representative collection to date. Ranging from minimal, concrete and found poems to epigrammatic reflections, imagist snapshots, haiku and tanka, the book unfolds in four carefully sequenced sections, including ‘Surveillance’, a long series of short poems based on observations of people and places in Rowland’s adoptive home town of Tokyo. Throughout, this collection invites us to dwell on the multi-faceted relationships between its parts, continually opening space for the reader to listen for ‘the sound of our listening’. ‘You can’t step in the same Rowland poem twice’ - Joseph Massey