Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Johannes Schue tz (b. Frankfurt am Main, 1950; lives in Berlin) is one of the best-known stage designers and directors working today. His style may be characterized as " simple, clean, and radical." All major theatres and opera houses in the German-speaking countries and beyond have showcased Schue tz's work. He trained with Wilfried Minks and created his first stage setting for Luc Bondy in 1971. His career then took him to Berlin's Schillertheater and the Kammerspiele in Munich, later he became head of stage design at the Bremer Theater and the Schauspielhaus Bochum. Schue tz taught scenography at the ZKM Center for Art and Media Karlsruhe from 1992 until 1998 and has been professor of stage design at the Due sseldorf Academy of Fine Arts since 2010. In his book Die Unterbrechung, he meets Annette Storr to discuss his new work for the stage, which is documented by maquettes and photographs and, most often, by stills from the performances.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Johannes Schue tz (b. Frankfurt am Main, 1950; lives in Berlin) is one of the best-known stage designers and directors working today. His style may be characterized as " simple, clean, and radical." All major theatres and opera houses in the German-speaking countries and beyond have showcased Schue tz's work. He trained with Wilfried Minks and created his first stage setting for Luc Bondy in 1971. His career then took him to Berlin's Schillertheater and the Kammerspiele in Munich, later he became head of stage design at the Bremer Theater and the Schauspielhaus Bochum. Schue tz taught scenography at the ZKM Center for Art and Media Karlsruhe from 1992 until 1998 and has been professor of stage design at the Due sseldorf Academy of Fine Arts since 2010. In his book Die Unterbrechung, he meets Annette Storr to discuss his new work for the stage, which is documented by maquettes and photographs and, most often, by stills from the performances.