Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Martin Parr’s affectionate homage to the German culture of allotment gardening
Martin Parr’s (born 1952) Allotment Gardeners is a fond and humorous portrait of one of the great German cliches: the allotment gardener. Photographing in five allotments in Dusseldorf and Krefeld, Parr met Mathis, just 15 years old, who runs the garden for his father, a multigenerational operation growing strictly organic fruit and vegetables; he also spoke with young parents who share a garden; with Ingo the cactus breeder; with Michael the miniature train enthusiast and with Petra the tomato woman. As always, Parr’s images achieve a rare balance of warmth and hilarity. When people laugh and cry at the same time when looking at my pictures, that’s precisely the reaction the pictures evoke in me, he says. The things are neither fundamentally good, nor bad. I am always interested in portraying both extremes.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Martin Parr’s affectionate homage to the German culture of allotment gardening
Martin Parr’s (born 1952) Allotment Gardeners is a fond and humorous portrait of one of the great German cliches: the allotment gardener. Photographing in five allotments in Dusseldorf and Krefeld, Parr met Mathis, just 15 years old, who runs the garden for his father, a multigenerational operation growing strictly organic fruit and vegetables; he also spoke with young parents who share a garden; with Ingo the cactus breeder; with Michael the miniature train enthusiast and with Petra the tomato woman. As always, Parr’s images achieve a rare balance of warmth and hilarity. When people laugh and cry at the same time when looking at my pictures, that’s precisely the reaction the pictures evoke in me, he says. The things are neither fundamentally good, nor bad. I am always interested in portraying both extremes.