Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Injustice, violence, the rise of the American civil rights movement, high fashion and the arts-Gordon Parks captured half a century of the vast changes to the American cultural landscape in his multi-faceted career. I AM YOU: Selected Works, 1942-1978 reveals the breadth of his work as the first African American photographer for Vogue and Life magazines as well as a filmmaker, and as a writer.
Reportage for major magazines dominated Parks’ work from 1948 to 1972. He chronicled black America’s struggle for equality, exposing the harsh realities of life in Harlem, institutionalized racism, and shocking poverty. Parks was equally accomplished as a portraitist, capturing figures such as Malcolm X and Martin Luther King alongside entertainers including Duke Ellington and Ingrid Bergman. He turned his attention to film in the 1960s with social documentaries as well as the now cult classic Shaft (1971).
This book traces the threads of Parks’ achievements, examining his multi-layered oeuvre through the interaction between his photographic and filmic visions.
Co-published with The Gordon Parks Foundation and C/O Berlin
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Injustice, violence, the rise of the American civil rights movement, high fashion and the arts-Gordon Parks captured half a century of the vast changes to the American cultural landscape in his multi-faceted career. I AM YOU: Selected Works, 1942-1978 reveals the breadth of his work as the first African American photographer for Vogue and Life magazines as well as a filmmaker, and as a writer.
Reportage for major magazines dominated Parks’ work from 1948 to 1972. He chronicled black America’s struggle for equality, exposing the harsh realities of life in Harlem, institutionalized racism, and shocking poverty. Parks was equally accomplished as a portraitist, capturing figures such as Malcolm X and Martin Luther King alongside entertainers including Duke Ellington and Ingrid Bergman. He turned his attention to film in the 1960s with social documentaries as well as the now cult classic Shaft (1971).
This book traces the threads of Parks’ achievements, examining his multi-layered oeuvre through the interaction between his photographic and filmic visions.
Co-published with The Gordon Parks Foundation and C/O Berlin