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The catalogue GEORGIA SAGRI GEORGIA SAGRI and I is published on the occasion of the eponymous solo exhibitions GEORGIA SAGRI GEORGIA SAGRI at Kunstverein Braunschweig, December 2017-February 2018, and GEORGIA SAGRI and I at Portikus, Frankfurt am Main, April-June 2018. As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. As the title of this book suggests, the staged objects Sagri produces are doubled modules, where each I or self can be cross-eyed. This effect, often produced theatrically, reorders the collective gaze to be subverted through a catastrophe of emotions. Across performance, video work, and sculpture, Sagri navigates the murky relationships between the artist’s body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.
Collected in this catalogue is both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against essays by Sotirios Bahtsetzis, Daniel Horn, Ruba Katrib, Christina Lehnert, Diego Singh and Stephen Squibb, an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.
Copublished with Kunstverein Braunschweig and Portikus, Frankfurt am Main
Contributors Sotirios Bahtsetzis, Silvia Federici, Bettina Funcke, Daniel Horn, Ruba Katrib, John Kelsey, Christina Lehnert, Diego Singh, Stephen Squibb
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The catalogue GEORGIA SAGRI GEORGIA SAGRI and I is published on the occasion of the eponymous solo exhibitions GEORGIA SAGRI GEORGIA SAGRI at Kunstverein Braunschweig, December 2017-February 2018, and GEORGIA SAGRI and I at Portikus, Frankfurt am Main, April-June 2018. As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist Georgia Sagri. As the title of this book suggests, the staged objects Sagri produces are doubled modules, where each I or self can be cross-eyed. This effect, often produced theatrically, reorders the collective gaze to be subverted through a catastrophe of emotions. Across performance, video work, and sculpture, Sagri navigates the murky relationships between the artist’s body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.
Collected in this catalogue is both current documentation of Sagri’s work and rich archival material since 1999; together they are juxtaposed against essays by Sotirios Bahtsetzis, Daniel Horn, Ruba Katrib, Christina Lehnert, Diego Singh and Stephen Squibb, an interview conducted with Silvia Federici, and a conversation between the artist, Bettina Funcke, and John Kelsey.
Copublished with Kunstverein Braunschweig and Portikus, Frankfurt am Main
Contributors Sotirios Bahtsetzis, Silvia Federici, Bettina Funcke, Daniel Horn, Ruba Katrib, John Kelsey, Christina Lehnert, Diego Singh, Stephen Squibb