Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This book offers a first report on the activities of the Cercle d'art des travailleurs de plantation congolaise (CATPC), an association based in Lusanga, in the Democratic Republic of Congo. CATPC brings together a unique gathering of individuals–along with its members and partner institutions that are engaged in dialogue with it–and attempts to rethink postcolonial power relations within the global art world. Initiated in 2014 by Renzo Martens, an Amsterdam-based artist whose radical and controversial practice feeds into many current debates, and Rene Ngongo, a Kinshasa-based biologist and environmental activist, this cooperative continues to develop independently and to redefine the relations between art, agriculture, industry, and value creation.
The publication CATPC–Cercle d'art des travailleurs de plantation congolaise/Congolese Plantation Workers Art League is part of an artistic research project initiated by Renzo Martens, affiliated as a researcher at KASK/School of Arts of University College Ghent, from 2012 to 2016.
Contributors Ariella Azoulay, Eva Barois De Caevel, Eleonore Hellio, Ruba Katrib, Alexander Koch, J. A. Koster, Renzo Martens, Rene Ngongo, Els Roelandt, Charles Sikitele Gize, Charles Tumba, Francoise Verges Photos by Leonard Pongo
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This book offers a first report on the activities of the Cercle d'art des travailleurs de plantation congolaise (CATPC), an association based in Lusanga, in the Democratic Republic of Congo. CATPC brings together a unique gathering of individuals–along with its members and partner institutions that are engaged in dialogue with it–and attempts to rethink postcolonial power relations within the global art world. Initiated in 2014 by Renzo Martens, an Amsterdam-based artist whose radical and controversial practice feeds into many current debates, and Rene Ngongo, a Kinshasa-based biologist and environmental activist, this cooperative continues to develop independently and to redefine the relations between art, agriculture, industry, and value creation.
The publication CATPC–Cercle d'art des travailleurs de plantation congolaise/Congolese Plantation Workers Art League is part of an artistic research project initiated by Renzo Martens, affiliated as a researcher at KASK/School of Arts of University College Ghent, from 2012 to 2016.
Contributors Ariella Azoulay, Eva Barois De Caevel, Eleonore Hellio, Ruba Katrib, Alexander Koch, J. A. Koster, Renzo Martens, Rene Ngongo, Els Roelandt, Charles Sikitele Gize, Charles Tumba, Francoise Verges Photos by Leonard Pongo