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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Wire is widely considered to be the blueprint of a post-racial TV show. It features more Black characters than any other US TV show has ever done before. African Americans are depicted in all possible positions of social and professional hierarchies. However, the show maintains some of the stereotypical depictions of African Americans that have been prevalent throughout the history of film and television as well as the history of the US. With a close look on the history of Black representation in the United States and the stereotypes used in 20th century film and television, Eike Rudebusch analyzes The Wire with regard to social as well as media stereotypes of African Americans. Thereby he shows the changes in African American representation on The Wire, but also that The Wire is not deserving of such idealistic post-race praises.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Wire is widely considered to be the blueprint of a post-racial TV show. It features more Black characters than any other US TV show has ever done before. African Americans are depicted in all possible positions of social and professional hierarchies. However, the show maintains some of the stereotypical depictions of African Americans that have been prevalent throughout the history of film and television as well as the history of the US. With a close look on the history of Black representation in the United States and the stereotypes used in 20th century film and television, Eike Rudebusch analyzes The Wire with regard to social as well as media stereotypes of African Americans. Thereby he shows the changes in African American representation on The Wire, but also that The Wire is not deserving of such idealistic post-race praises.