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This volume presents the recent ceramic work of American sculptor Liz Larner (born 1960) in light of the artist’s broader conceptual and material development.
As Peter Pakesch writes in his essay, ceramic in Larner’s hands becomes a special combination of painting and sculpture, embodying the qualities of both worlds.
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This volume presents the recent ceramic work of American sculptor Liz Larner (born 1960) in light of the artist’s broader conceptual and material development.
As Peter Pakesch writes in his essay, ceramic in Larner’s hands becomes a special combination of painting and sculpture, embodying the qualities of both worlds.