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Jack Whitten (born 1939) is an American abstractionist celebrated for his innovative processes of applying and transfiguring paint in works equally alert to materiality, politics and metaphysics. This publication focuses on more than 20 of the artist’s paintings from the 1980s and features an essay by Richard Shiff, Effie Marie Cain Regents Chair in Art at the University of Texas at Austin.
Whitten holds a unique place in the narrative of postwar American art: over the course of a five-decade career, he has bridged gestural abstraction and process art, experimenting ceaselessly to arrive at a nuanced language of painting that hovers between mechanical automation and personal expression. Whitten has had a profound influence on many artists working today, and was awarded the National Medal of Arts in recognition of his major contribution to the cultural legacy of the United States.
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Jack Whitten (born 1939) is an American abstractionist celebrated for his innovative processes of applying and transfiguring paint in works equally alert to materiality, politics and metaphysics. This publication focuses on more than 20 of the artist’s paintings from the 1980s and features an essay by Richard Shiff, Effie Marie Cain Regents Chair in Art at the University of Texas at Austin.
Whitten holds a unique place in the narrative of postwar American art: over the course of a five-decade career, he has bridged gestural abstraction and process art, experimenting ceaselessly to arrive at a nuanced language of painting that hovers between mechanical automation and personal expression. Whitten has had a profound influence on many artists working today, and was awarded the National Medal of Arts in recognition of his major contribution to the cultural legacy of the United States.