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This first monograph on the films and video installations of Austrian artist Lukas Marxt (born 1983) focuses in particular on Marxt’s current project, which has already taken him to California, Nevada and Utah, and in which he delves into the partly suppressed history of the United States in the context of the military-entertainment complex.
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This first monograph on the films and video installations of Austrian artist Lukas Marxt (born 1983) focuses in particular on Marxt’s current project, which has already taken him to California, Nevada and Utah, and in which he delves into the partly suppressed history of the United States in the context of the military-entertainment complex.