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The works in porcelain and colourful shades of stoneware by Doris Banks might be modest and reduced in form, colour, and decoration yet they still possess a remarkable impact and presence.
All the objects are one-offs-modelled, formed, pressed, folded, glazed, and decorated by hand. As a result, the natural character of the material remains vivid. With a minimalist aesthetic beholden to Asia, the ceramic artist’s works are characterised by a virtuoso play of form and surface that allows a tactile experience of textures on the exterior surface.
This monograph is an in-depth appraisal not only of these works but also of an artist who despite her early death achieved remarkable things in studio ceramics.
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The works in porcelain and colourful shades of stoneware by Doris Banks might be modest and reduced in form, colour, and decoration yet they still possess a remarkable impact and presence.
All the objects are one-offs-modelled, formed, pressed, folded, glazed, and decorated by hand. As a result, the natural character of the material remains vivid. With a minimalist aesthetic beholden to Asia, the ceramic artist’s works are characterised by a virtuoso play of form and surface that allows a tactile experience of textures on the exterior surface.
This monograph is an in-depth appraisal not only of these works but also of an artist who despite her early death achieved remarkable things in studio ceramics.