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This volume documents British artist Roger Hiorns’ (born 1975) largest show to date, at Kunsthaus CentrePasquArt and Galerie Rudolfinum. Hiorns’ installations and sculptures generate and fill gaps between disparate ideas: between construction and destruction, theology and technology, temporariness and performance, authoritarian control and spontaneity.
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This volume documents British artist Roger Hiorns’ (born 1975) largest show to date, at Kunsthaus CentrePasquArt and Galerie Rudolfinum. Hiorns’ installations and sculptures generate and fill gaps between disparate ideas: between construction and destruction, theology and technology, temporariness and performance, authoritarian control and spontaneity.