Jim Dine ranks alongside figures such as Andy Warhol, Roy Lichtenstein, and Wayne Thibaud as one of the celebrated stars of American Pop Art. The self-portraits, which Dine began painting in the 1950s, serve to catalyze an independent, intense, and surprising dialog with the artist and his output. And Dine’s diverse experiments with a wide range of techniques and materials address themes including youth and old age, intimacy and extroversion, and seriality and creativity on paper–enabling these self-portraits to open up new insights into a supposedly familiar oeuvre. The book presents a selection of almost one hundred fascinating self-portraits.