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The words optics,
compression and propaganda form the subtext for this monograph by Sean Snyder, who lives between Kiev and Berlin. Using archival and media resources, as well historical cinema, photography and art references, Snyder is engaged in ongoing experiments concerning the malleability of images and the mechanics of their production.
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The words optics,
compression and propaganda form the subtext for this monograph by Sean Snyder, who lives between Kiev and Berlin. Using archival and media resources, as well historical cinema, photography and art references, Snyder is engaged in ongoing experiments concerning the malleability of images and the mechanics of their production.