What is to be Done?

Addressing a century of change from late nineteenth-century realism to late 1970s Sots Art, this volume presents new research on how art making, criticism, and promotion responded dynamically to the fast-moving social, cultural, and political contexts of the Russian Empire and Soviet Union. Case studies of artists reveal how figures such as Viktor Vasnetsov and Kazimir Malevich [Kazymyr Malevych] incorporated contemporary debates into their artworks and expanded their visual expressiveness. Analyses of writings by Wassily Kandinsky and Nikolai Punin illustrate the central role played by critics, theorists, and artists' societies in catalyzing new approaches. Lastly, essays focusing on the Society of Art Exhibitions (1874-83), the diverse displays at exhibitions in the Soviet era, and national themes in Ballets Russes productions rethink binaries between collaboration and enmity, between nationalism and internationalism, and between east and west in art presentation and promotion. This analytical triad is complemented by an epilogue by Russian A (c)migrA (c) artist Pavel Otdelnov, who shares how his personal history and identity shape his art, especially since Russia's war of aggression against Ukraine.