Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This project delves into the intersection of past and present modes of curating Black trauma, specifically examining the transition from traditional scrapbooking methods used by the Emmett Till Generation to contemporary practices on social media platforms like Instagram, Facebook, and Twitter by the Trayvon Generation. The central argument posits that these digital spaces serve as an extension of historical scrapbooking, revealing parallels in the ways Black communities curate and disseminate traumatic experiences.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This project delves into the intersection of past and present modes of curating Black trauma, specifically examining the transition from traditional scrapbooking methods used by the Emmett Till Generation to contemporary practices on social media platforms like Instagram, Facebook, and Twitter by the Trayvon Generation. The central argument posits that these digital spaces serve as an extension of historical scrapbooking, revealing parallels in the ways Black communities curate and disseminate traumatic experiences.