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English Description: The painter, who was the rector of the Giebischenstein Art School for a long time and also teaches there, is known for its successful series textbooks. Helmut G. Schutz, who accompanied the Klieber’s continuous artistic development, introduces three decades of the genesis of his figurative subject matter. Renato Giovannoli establishes the relationship with Cy Twombly’s work and moves both into the context of postmodernism. Dieter Knoell sees the well-traveled artist as a painter of modern life with adhesion. German Description: Der Maler, der die Burg Giebischenstein Kunsthochschule Halle lange als Rektor leitete und dort lehrt, ist fur seine erfolgreihen Lehrbucher bekannt. Helmut G. Schutz, der Kliebers kunstlerische Entwicklung kontinuierlich begleitete, fuhrt in drei Jahrzehnte der Genese seiner figurativen Thematik ein. Renato Giovannoli stellt Beziehungen zu Cy Twomblys Werk her und ruckt beide in den Kontext der Postmoderne. Dieter Knoell sieht den weit gereisten Kunstler als einen Maler des modernen Lebens mit Bodenhaftung.
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English Description: The painter, who was the rector of the Giebischenstein Art School for a long time and also teaches there, is known for its successful series textbooks. Helmut G. Schutz, who accompanied the Klieber’s continuous artistic development, introduces three decades of the genesis of his figurative subject matter. Renato Giovannoli establishes the relationship with Cy Twombly’s work and moves both into the context of postmodernism. Dieter Knoell sees the well-traveled artist as a painter of modern life with adhesion. German Description: Der Maler, der die Burg Giebischenstein Kunsthochschule Halle lange als Rektor leitete und dort lehrt, ist fur seine erfolgreihen Lehrbucher bekannt. Helmut G. Schutz, der Kliebers kunstlerische Entwicklung kontinuierlich begleitete, fuhrt in drei Jahrzehnte der Genese seiner figurativen Thematik ein. Renato Giovannoli stellt Beziehungen zu Cy Twomblys Werk her und ruckt beide in den Kontext der Postmoderne. Dieter Knoell sieht den weit gereisten Kunstler als einen Maler des modernen Lebens mit Bodenhaftung.