Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Living in Istanbul, Vienna, and Frankfurt am Main, Yalcindag (*1964 in Goelbasi) is one of the most important artists working today. Having spent his childhood in Turkey, he then developed his visual language as a student of Hermann Nitsch and Thomas Bayrle in Frankfurt am Main nearly twenty years ago. His meticulous, impasto technique executed with an extremely fine paint brush demands an enormous amount of time. It results in relief-like paintings constructed from hundreds of layers. That Yalcindag’s application of paint recalls the American Color Field painters should be of no surprise if one keeps in mind his intense engagement with Minimal Art. This publication offers the first analysis of the artist’s original practice and visual language, while also providing an important contribution to the study of the reception of non-European ornamental traditions within contemporary art.Exhibition: Art and Cultural Foundation Opelvillen Russelsheim 7.9.-6.11.2016
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Living in Istanbul, Vienna, and Frankfurt am Main, Yalcindag (*1964 in Goelbasi) is one of the most important artists working today. Having spent his childhood in Turkey, he then developed his visual language as a student of Hermann Nitsch and Thomas Bayrle in Frankfurt am Main nearly twenty years ago. His meticulous, impasto technique executed with an extremely fine paint brush demands an enormous amount of time. It results in relief-like paintings constructed from hundreds of layers. That Yalcindag’s application of paint recalls the American Color Field painters should be of no surprise if one keeps in mind his intense engagement with Minimal Art. This publication offers the first analysis of the artist’s original practice and visual language, while also providing an important contribution to the study of the reception of non-European ornamental traditions within contemporary art.Exhibition: Art and Cultural Foundation Opelvillen Russelsheim 7.9.-6.11.2016