Some pages from my digital sketchbooks. Hands on edition

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"It's all black and white", she told me, and that was a contradiction to what I up to now had seen from her work: large colored canvases, impressive colors, bright, somewhat reminding of Mark Rotko in power and intensity, but at the same time with an ease that was overwhelming at once, warmth and joie de vivre. But her sketchbooks were only black and white, the black of the pencil and the white, the parts of the page where the pencil had not left its mark. So from that point of view "It's all black and white" was correct. (Marcellus M. Menke on the sketchbook works of Natalie Portner) Hands on edition on 90 g paper cream white. "Es ist alles schwarz-weiss", sagte sie mir, und das war ein Widerspruch zu dem, was ich bisher von ihren Arbeiten gesehen hatte: grosse farbige Leinwaende, beeindruckende Farben, leuchtend, ein wenig an Mark Rotko erinnernd in Kraft und Intensitaet, aber gleichzeitig mit einer Leichtigkeit, die unmittelbar ueberwaeltigend war, Waerme und Lebensfreude. Aber ihre Skizzenbuecher waren nur schwarz und weiss, das Schwarz des Bleistifts und das Weiss, die Teile der Seite, auf denen der Bleistift seine Spuren nicht hinterlassen hatte. So gesehen war "Es ist alles schwarz und weiss" also richtig. (Marcellus M. Menke ueber die Skizzenbuch-Arbeiten von Natalie Portner) Studienausgabe auf 90 g Papier cremeweiss